Thread Tools

Pearl
Toruk Makto
3590.07
Pearl is offline
 
#1
Old 05-10-2008, 10:44 AM

It was a raining as Cora walked along the pavement; dismal sheets of mist that fell from a troubled, grey sky. Ominous clouds rumbled and darkened. The moisture gradually soaked into her woollen coat and clothes, wetting her brown hair so it began to drip rivulets of rainwater down her pale, angular face. A pair of grey eyes squinted in the wet, registering the depressing scene. The buildings were new enough, with normally red bricks and clean, double-glazed windows. Each door looked the same, and each one had a clean new knocker on the door. Normally every house on the street shone with uniform precision on a sunny day, but on this morning they were dulled by the gloom. Everything seemed to be an unpleasant shade of grey.

Cora carried a bag of shopping along a darkening concrete pavement, reaching into her left pocket for her house keys. She only found a tissue, which she used to blow her nose, and then reached with her left hand to try the right pocket. They were there, and she exhaled a brief sigh of relief, as minor panic could rush over her so easily. The rain had started to fall more heavily. She came to the last house in the street, turned the key in the lock and hurried quickly inside.

The hallway was quiet and still compared to the rain outside, which had now started to make a steady pattering sound. She wiped her feet on the ‘welcome’ mat and hung her scarf and coat on the end of the banister; they had gotten damp and slightly heavy. She left her keys and bag on the hall table, accidentally knocking over a picture frame. She set it back up again, and checked her watch. Half past five. She sighed. Buying dinner hadn’t taken as long as she’d hoped. Picking up the shopping again, she wandered into the kitchen, muttering “I hate Sundays,” as her woolly socks slid slightly on the tiled floor.

She put the ready meals in the refrigerator, poured herself a glass of juice and sat down with it at the bar counter that had been crammed into the small cooking area. She glanced at the clock on the wall that was styled like a blue sun with long rays, as it ticked loudly, slowly and methodically. Faced with the prospect of being alone with nothing but revision for at least another two hours, she stared at her glass with a dead expression, just pausing to take a sip from it every ten seconds. She did it in time with the clock. When the drink was finished, she placed it by the sink and leant backwards against the counter. Using two hands she raised herself up onto it, swinging her legs backwards and forwards, examining the motion of her feet.

Eventually she slid off in one swift movement, and strode into the living room. She picked the phone up off its base and quickly dialled a number. The dialling tone echoed in the room, as she dropped onto a soft leather sofa, in front of the large television, and waited for someone to answer her. She heard a click and then the sound of a voice recording. She hung up and just dropped the phone beside her, tired and frustrated. Her insomnia was getting worse, no matter what she tried, and it was beginning to affect her. Sitting absorbed in her thoughts, she jumped when the front door was wrenched open. “Cora?”

Mrs Bailey entered, flapping a large umbrella, her heeled shoes echoing in the hallway. Cora sat up on the sofa, hearing her mother through the wall, and her arm reached out to the coffee table, her fingers landing on a well-thumbed paperback which she opened at a random page and pretended to read; her curled up posture gave the impression of someone well-rested and relaxed. She listened to her mother taking off her shoes and coat. Mrs Bailey stuck her head round the door. “My last two appointments cancelled for today, bizarre really, but I could get away early. Want me to fix us dinner?”
“Yeah, thanks.”
“I’ll be upstairs getting changed.” With that, she withdrew. Cora dropped the book and contemplated watching television, but predicted that it would do little to stimulate her. Instead she called into the kitchen, where she could hear her mother going through the fridge and cupboards. “Mum…”
“Yes?”
“Have you got any of those sleeping pills left?”
“No, you’ve finished them off.”
“Could you get some more?”
Mrs Bailey reappeared at the doorway. “I don’t think they’re working. There’s no point using as many as you do.”
“They help, they really do.”

She placed a hand on her forehead and ran it over her hair pensively. “I’ll ring Doctor Newbold for advice, but I don’t want you taking any more medication.”
Cora frowned and said, “Fine.” She pushed herself onto her feet and left the room, leaving her mother to return to the kitchen. She paused in the hallway to pick up the post that had been lying on the side table since that morning. She examined each address briefly; they were mostly for her parents and uninteresting. She dropped them back down and went up the carpeted stairs to her bedroom, which was immediately on the left. There was just one other room belonging to her parents, and a small, blue-tiled bathroom. Her father was on a business trip to somewhere in America.

She flicked the light switch in her room, turned her computer on and stretched over the bed to pull the curtains shut, blocking out the grey world. The room was small but cosy, with just a bed, desk and chest of drawers. Her cream walls had a modest collection of scattered posters, but not as many as in her room in their previous home. Yawning, she picked up a red hairbrush and was just pulling it through her damp hair when the computer stopped whirring, and sat ready for service, quietly humming. It was only after she had sat in front of her desk that she noticed the letter. It was sitting on the scattered bits of paper beside her computer, and she curiously picked it up with pale fingers. It was made of old paper, like parchment, but it was addressed to her. Her name had been written in black ink in flowing, detailed handwriting. There was no stamp or address, so it must have been delivered by hand.

She turned it over, holding it delicately in her hands, and was even more surprised to see a red wax seal keeping it closed. She broke it, and tugged out a folded piece of yet more parchment. Unfolding it, she saw it was written in the same ink, in the same fluid strokes. What was written was this:

FOR THE RESTLESS SLEEPER

The roots of a Passion Flower
& Red Clover,
Reishi Mushrooms
& Sage.

She read it twice, her forehead creasing in thought, wondering who would have sent her this, and why they had used parchment – or how they could have known her name, or even her sleeping troubles. She assumed these plants were ingredients of a herbal remedy that helped sleep; she checked the qualities of each of them on the internet and found that they were traditionally used to soothe and cause drowsiness. Examining the letter again, she decided that it had to be a publicity stunt from a company that specialised in herbal remedies. They must have gotten hold of her records at the nearest chemist’s – she had been taking a lot of pills to help her insomnia.

Returning to the search engine, she did some more browsing and found plenty of herbal remedies on offer; sold in tiny glass vials by the hundred. However, they all seemed expensive and promised more of a psychological effect than an actual cure. She put the computer on stand by and went back downstairs. She found her mother in the kitchen still, standing by a counter browsing an open cookery book. She looked up as Cora came in. “Do you fancy stir fry?” She tilted the book in Cora’s direction so she could see the recipe’s accompanying photograph.
“Yeah, okay.” She paused for a second. “When did that letter for me arrive?”
“I saw it this morning before I left.” She turned a page of the book. “I put it on your desk while you were in the shower… it must’ve been delivered by hand. Anything interesting?”
“Not really. It was just an advertisement.”
Mrs Bailey tutted. “They’ll do anything these days.” She tapped a place on the open page. “Could you fetch the reishi mushrooms from the fridge?”

Cora did nothing for a moment, but then went and got them, placing them gingerly on the counter. “They’re new.”
Her mother bent down and took the chopping board from a cupboard. “Yes, I thought we’d try something exotic.” She looked at her slightly suspiciously for a moment and said, “You still like mushrooms, don’t you?”
“Absolutely. It’s Jack who doesn’t.”
“Ah, great. Good thing he’s not here then, eh?”
Cora shrugged and started to leave the room, but her mother called out, “Oh, and what do you think of those flowers on the hall table? This morning I just felt this sudden desire to get some plants for the house; don’t you think they make it feel like a home? They’re called passion flowers.”
Out in the hallway, Cora stood, staring dumbstruck at the bright plant. She managed to call, in a slightly strangled voice, “They’re nice…”

What do you think?

- I have stopped it abruptly; that's not meant to be the end of a section or anything.
__________________
The wagon jolted on ... I don't think I was homesick. If we never arrived anywhere, it did not matter. Between the earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be.

sychobunny
(っ◕‿◕)&...
6.64
sychobunny is offline
 
#2
Old 05-16-2008, 05:46 PM

Quote:
The moisture gradually soaked into her woolen coat and clothes, wetting her brown hair so it began to drip rivulets of rainwater down her pale, angular face.
Quote:
The buildings were new enough, with normally red bricks and clean, double-glazed windows.
I don’t like this “normally.” I like it even less with the second sentence after starting with “Normally.” My advice on how to change it is dependant on how you are using normal. If it is normally as in most of the time, there should be a but to say how it is different. Also I would change the sentence to The buildings were new enough. They were usually red bricked with clean, double-glazed windows, but...
If it is normally as in just like the rest, then use an adjective and not a adverb.
The buildings were new enough, with standard red bricks and clean, double-glazed windows.
Quote:
Faced with the prospect of being alone with nothing but revision for at least another two hours, she stared at her glass with a dead expression, just pausing to take a sip from it every ten seconds.
Is revision really the word you want to use? It seems out of place in that she’s not revising anything, or if she is, the reader wouldn’t know. Also revision is a noun.
Quote:
She picked the phone up off its base and quickly dialed a number.
Quote:
Mrs. Bailey entered, flapping a large umbrella, her heeled shoes echoing in the hallway.
Quote:
Mrs. Bailey reappeared at the doorway
Quote:
Examining the letter again, she decided that it had to be a publicity stunt from a company that specialized in herbal remedies.


Oh very intriguing! ^.^ I smiled at the last part.
When you’re done, you should post the whole thing; it sounds like a great read!

Pearl
Toruk Makto
3590.07
Pearl is offline
 
#3
Old 05-16-2008, 09:57 PM

Oh my god, feedback xD Thank you! Those are very useful comments.

And I didn't spell "specialised" wrong - I used the English spelling. The "z" is used in American English. ;D

sychobunny
(っ◕‿◕)&...
6.64
sychobunny is offline
 
#4
Old 05-20-2008, 11:44 PM

Ah, right... I only have american spelling stuff. XD

stabler12
95.56
stabler12 is offline
 
#5
Old 06-17-2008, 11:41 PM

That was great I want to read the rest.

Penny
*^_^*
607.34
Penny is offline
 
#6
Old 06-20-2008, 10:51 AM

Kudos for opening with a mystery. It's the best way to get a story up and running. A lot of stories get stuck at the get go by starting with description or worse, a false start to action.

(A real start in action is a good idea, but... how do I put this... eg dude in a forest with a broken leg. Narrator speaks of his pain his tribulations and crap. Then we move on to endless exposition and almost mysteries that are suppost to interest us while the big problem of the scene, his leg, is ignored.)

Any who. You didn't do that, so I shan't go babbling on.

If the story was in it's final revision I'd suggest cutting the setting the scenes walking down the rainy streets stuff and just set Cora in hallway. First paragraph is a one shot deal and rainy scenery isn't exactly gripping. In a few pages however, I'd accept it as a lovely detail shot of the world around the house that we started in.

Good work so far though! I am curious about this letter, so I hope you keep posting.

Pearl
Toruk Makto
3590.07
Pearl is offline
 
#7
Old 06-24-2008, 03:41 PM

Thanks for the feedback, Penny.

I'm thinking of redoing this opening though. I've recently decided it doesn't work for me...

Penny
*^_^*
607.34
Penny is offline
 
#8
Old 06-24-2008, 10:40 PM

You're welcome.

It happens. Post the next version too perhaps?

Pearl
Toruk Makto
3590.07
Pearl is offline
 
#9
Old 06-26-2008, 06:31 PM

Yeah, I'll probably do that... once I've written it. xD

 


Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 

 
Forum Jump

no new posts